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A Winning Story Stumbles at the End
Ranks as good as Conan Doyle
Amazing Jamyang

An uncommonly good book
It's Great!
A good read!

It's for charity, and that's the only good thingThe problems, to me, are a poor portrayal of Sherlock Holmes, a failure to depict the Edwardian age in a believable fashion, and an attempt to use language beyond the author's grasp of vocabulary.
Kilcup's Holmes is an extraordinarily arbitrary character. I have no problems with the fact that Holmes is not infallible as this is consistent with Conan Doyle's portrayal. However, some of his actions are very strange, and do nothing to progress his investigations. I think his intention was to make Holmes likable, but I think he fails.
In setting stories in a particular time period, an author should portray the period believably. Mr Kilcup's characters use oddly harsh language - not necessarily for our time, but for that about which we are reading. Other things, details like Holmes' unlikely query of a London cabby as to when the next train to Brussels leaves, grate rather harshly.
With these factors distracting the reader, Mr Kilcup's use of words in the wrong context certainly makes the reading of this book a chore.
Sorry, Mr Kilcup, but not worth the time I spent reading it let alone the money I spent buying it.
If you like Holmes, you will enjoy this one!
Chinese Box Mysteries, Vol.II

A Refreshing research of 5th & 6th century.
A fascinating bookThis is a fascinating book that I have already read twice. The author presents his argument in such a gripping manner, that reading it seems to pull the reader right into the story. It must be admitted that a good deal of what is presented in this book is deduction and assumption, but the author makes an excellent case for accepting his interpretation of the available (limited) data. If you are interested in the historic King Arthur, then I highly recommend that you get this book.
A very creative synthesis of all sources

Disappointing
Hardly classic, but entertainingMillett manages to tell his partly factual mystery through a narrative that's acceptably close to Watsonian style, and makes his character Shadwell Rafferty a believable and pleasant addition to the team.
He is guilty of some overkill with his addition of the character Mary Comstock, whom he paints as being some combination of Professor Moriarty and Irene Adler. As such she can be no more than an obvious contrivance--there's only one Moriarty, and only one Irene Adler (who, as any Sherlockian knows, will always be "The woman" to Holmes). I'd have much rather seen Millett try to use either Moriarty or Adler in their true forms than this strange Comstock composite, which is definitely a mark against the book.
Having said that, I admit I much prefer to see a pastiche author err by addition, as Millett does in this case, than to see one err by grossly reshaping a classic character. Millett avoids this, and we're left with a book that, although untraditonal in setting, can be enjoyed in most of its other features.
Written in the Doyle Style

More real writers, less contemporary whiners, please
Great gift
I think you're wrong

In a word, boring!
Tolerable But Not ExceptionalWe get no real insight into the Holmesian character, and certainly none into the often-overlooked Watson. (In truth, a lot of the recent pastiches use this duo only as an excuse to introduce other historical or fictional characters that the author is far more interested in investigating.) The antagonists are singularly bland, and the supporting cast is not altogether memorable.
The key cryptographic puzzle is rather intricate, though, so much so that several diagrams are required in order for the reader to make any sense of the whole thing. It's fairly clever.
However, the denouement is just ludicrous and the fulfillment of Holmes' plan requires that everyone involved should unwittingly act out their part by undertaking the most irrational actions. The whole climax feels forced.
My biggest complaint? The villains are threatening Holmes' client from the moment he sets foot in England and wish to prevent him from going to a certain place, when, in fact, they have no evidence that he ever intends to go there, nor that anything he might do would in the slightest way be disadvantageous to them. In fact, as it all turns out, the bad guys have no way of solving a riddle without his assistance in the first place, so they would've been better advised to have duped him into acting on their behalf. But perhaps I quibble.
In any case, it's a quick read for those who absolutely must have a Holmes fix, and the notes at the end of the book are not without interest.
Fine up to a point...But at the end, things fall apart. First, Holmes' preposterous plan for dealing with the three villains would, in real life, have led to a mass grave covering the bodies of Holmes, Watson, their client, his son, and a number of Baker Street Irregulars! Second, the nature of the "Devil's Grail" itself is a huge, huge letdown. But right up to these final pages, things move along well, and the entertainment value of the proceedings is unquestionable.
I do have one other reservation about the novel, but it is a reservation I have about fully half of the hundred or so novel-length Holmes pastiches I have read over the years. Namely, the villains act exactly contrary to their revealed motivations. They want to find the secret hidden in the ruins of Glastonbury, but they spend half the novel preventing the one man who can find the secret for them from going there! All they have to do is wait until Col. Harden takes his photos, then steal them. But instead they are involved in a hundred pages of nonsensical foolishness to PREVENT Harden from getting the info they need. Then, with Holmes on the case, all they need to do is to wait until Holmes finds the Grail and take it, but insead they interfere constantly for another 70 pages. Of course, the answer to the paradox is that the author could not fill his pages with action unless the villains behaved this way! But I wish more authors would try to find another way to keep the reader's attention besides having the villains act like the Coyote in the Roadrunner cartoons throughout the book.


Better Than the Red Demon StuffBut let me make this statement here: "The West End Horror" is by far much better than this "Sherlock Holmes and the Ice Palace Murders."
Again the same rich guy from Minnesota invited Holmes to his home town to investigate some mysterious occurrences in the Ice Palace there ... As if there are no good detectives in America. As long as we are talking nonsense here, why did not he summon Ellery Queen, who is not less intelligent than Holmes, or maybe Colombo (hohohoho).
The story this time had some mystery elements. It was, as a matter of fact, a whodunit. I figured the murderer out from half of the mystery, not because I was abnormally cleaver, but because of a fallacy the murderer inserted. The strange thing is that Millett did not allude to this fallacy, maybe he did not even know that it was there, and maybe I was lucky!
A new character is introduced in this novel, and Irish clever guy by the name Shadwell Rafferty. I'm not so enthusiastic about him, because he does not enrich the world of Sherlock Holmes, and people are more used to one superior detective in the story. After all, this is a pastiche to praise Sherlock Holmes, and no one else.
We reach to the conclusion of the story and the villain who killed every body was apprehended, and then nothing much, the story does not give me the impression I get from Doyle's writings. And I am not going to recommend the book, because I could have done well without reading it.
Great History along with a Good MysteryThe history lessons I received from reading the book are a definite treat since I visit the Twin Cities several times a year and know the areas talked about. But even if you are not familiar with the Minnesota cities, a map and Millett's detailed descriptions help the reader visualize the cities at the turn of the century.
The Sherlock Holmes/Dr. Watson characterizations are very good; there are not too many instances where the reader would say "Oh, come on. Holmes would never do that." That is how I judge pastiches.
I thought this story the best of the first three Larry Millett/Sherlock Holmes endeavors.
Better than the Red Demon!

Books without conclusions
Judging the Past
Thorough scholarship.

Very disappointing
Disappointing
A Top Pick of Bookclub magazine and deserves it!
Norbu should first and foremost be commended for being able to almost perfectly capture the correct period speech for each character (there is a lengthy glossary at the back for all the Hinustani phrases and period slang). I say" almost" because I found Hurree's speech to be just a little too over the top, even for the type of educated servant of the Empire he is-it's just a shade too forced at times. Norbu has also captured the period perfectly and manages to seamlessly insert his own agenda by portraying early Chinese imperialism in Tibet. The portrayal of Holmes is excellent (enthusiastic, abrasive, arrogant, drug abuser) up to a point. That point is the final quarter of the book which starts melding the Holmesian world of deduction and reason with the Tibetan world of mysticism and occult powers. Up until then, I had been having great fun, but once people started throwing around hellfire and erecting mental shields and whatnot, I lost faith and interest in the whole exercise. It's not that I'm prejudiced against such things (I've played sword and sorcery role-playing games for 15 years), I just don't think they belong in the hyper-deductive world of Sherlock Holmes. It's well known that Conan Doyle had a strong belief in the occult and was fascinated with the spirit world, but to mix that in with Holmes just rubs me wrong.